February 9, 2014

Robocop 2014

At first  I thought MGM decided to mock their famous Lion with a bizarre soundclip that replaced the trademark growl.

Turned out it was Samuel Jackson's Pat Novak. The guys's pre-broadcast mouth calisthenics that produced all that sound. It's there where I concluded Jose Padilha's remake of the 1987 Paul Verhoeven classic was a different entity altogether. 

Like the 1987 incarnation, the upgraded version never fails to underscore media's role into molding the public to puppets dancing to the tune of the most powerful corporations. That of course, and the neverending romantic theme of every successful fairy tale about the ages-old question of what makes us all human. 



The over the top R-18 violence that made the 1987 version so compelling was toned down for a more PG-friendly version this time. OCP is still the evil corporatation, and in place of the 'Old Man' we have a Steve Jobs-like CEO named Raymond Sellars. I never really liked Michael Keaton before The Other Guys but his performance in RoboCop made me a fan. The guy managed to make the character a very likable villain. Along with Jackie Earle Haley's mercenary and company military tactician and Jay Baruchel's goofy marketing executive, the film had all the makings of a very compelling movie by virtue of its villains (no Clarence/Jones but equally good) but somewhere in the middle the entire thing goes...level.

It's not that the movie was bad. In fact it's good---if it didn't have the specter of the original hanging around the back of your head to compare it with. The story and the overall direction of the new one is totally different in tone and even in story than its predecessor. That alone is reason enough why the movie is an excellent stand-alone entity on its own. I guess my major gripe about it is that the main character somehow lacks the charisma and bad-assness you'd expect from it. Granted that it's somehow a major improvement over the original considering it can move faster and has a whole lot more sophisticated access to technology and weaponry. I can't blame the actor (Joel Kinnaman) if that was how the character was written. You just can't empathize with it enough. Desensitized? Probably.

Had it not been for Gary Oldman's character, the film would have been a total waste.  Dr. Norton is the moral and humanist center of the story. They detached it, because RoboCop seems to be more like a machine in this version despite his human memories being intact.

There are a lot of allusions to the original other than the shared similarity of the characters' names. In place of the notorious 'Directive 4' we have the red band. Still a powerful tool to remind our hero that he's still just a product and still in the mercy of the company that made him. Good action/drama film overall. If only you haven't seen the original to compare it to. You just can't avoid it.

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