April 9, 2016

Midnight Special

I'm sure it will end in a cliffhanger that does not explain anything about some curiosities audience members will definitely ask about, like the supernatural circumstances surrounding the main character and who he really is. In short, it will be an ending that me and a movie-fanatic uncle jokingly refer to as A European Ending. The type where everything ends abruptly without further exposition of things and ditching that spoon-fed scenario where that ever-annoying "What happened in the end" query from less-engaged audience members always ask. Which is totally fine by me. Because judging from the brilliant second trailer I watched repeatedly ever since, those concerns are, to be blunt, trivial and unimportant. At least in the overall scheme of things, or in the context of the whole movie.  While those factors are interesting tools to give spice and propel a good story, they are simply incidental and mere tools that highlight the core of a seemingly sci-fi adventure fare: A family drama

Take away the supernatural powers, government conspiracies, and religious cults and it comes down to a simple, but engaging story about a small family's struggle to protect their only child at all costs. And the inevitability of letting go of our loved ones. And it's not like Jeff Nichols broke any new ground in terms of making this type of movie. The director said he made an homage to the kinds of movies he saw growing up in the 80s. Similar themes had already been explored by the likes of ET, Starman, and J.J. Abram's own homage to the genre: Super 8. All had elements of fantasy and sci-fi wizardy and share of its "freaks" who reinforces the bonds of the humans they interact with in one way or another. Midnight Special certainly belongs to this pantheon. Where a young boy with mysterious powers attracts the attention of everyone.

You see a divorced father with his son in tow, escaping from both the government (who think his son is a weapon) and a religious cult (who thinks his son is the messiah) across the US with some hair-raising cat and mouse chase that put everyone's life at risk, with a few glimpses of the boy's power every now and then. As played by Michael Shannon, the father takes a desperate race against odds that are increasingly going against him to take his gifted/cursed son to a predetermined site chosen by the boy. Will it save him? Kill him? All of the above? Those questions are---while significant---hardly important.
 

What we have instead is a gripping synopsis on the type of futile struggle every parent must do to shelter their children from whatever impossible threat that comes along. Be it the external forces like the ones given in the film or the very nature of the child himself that hinges on self-destruction any given second. It's all these and more until the end where the only question that matters is the one only a parent will ask.

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